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211-240 of 24,058 entries
Confess, Fletch
Jon Hamm's laconic detective is too laid-back for his own good
Movie Review, Sept. 16, 2022
Pearl
Mia Goth shines madly in the delicious period prequel to
X
Movie Review, Sept. 16, 2022
Austin Film Society Announces 2022 Filmmaker Grant Recipients
Projects from PJ Raval, Don Swaynos to financial support
Richard Whittaker, Sept. 9, 2022
Austin Film Festival Lands
The Whale
Brendan Fraser's Venice smash to open fest, Oct. 27-Nov. 3
Richard Whittaker, Sept. 8, 2022
Barbarian
Buried secrets make for the year's smartest, scariest horror
Movie Review, Sept. 9, 2022
House of Darkness
Neil LaBute takes a smart bite out of the vampire drama
Movie Review, Sept. 9, 2022
Medieval
Brutal historical epic gives gritty, accessible life to a Czech icon
Movie Review, Sept. 9, 2022
Clerks III
Deservedly self-indulgent return to the Quick Stop where Kevin Smith began
Movie Review, Sept. 9, 2022
What We Leave Behind
Iliana Sosa's extraordinary portrait of her grandfather's cross-border life
Movie Review, Sept. 9, 2022
Honk for Jesus. Save Your Soul.
Megachurch mockumentary needs a change of focus
Movie Review, Sept. 2, 2022
Waiting for Bojangles
Ham-fisted literary adaptation loses everything interesting about the book
Movie Review, Sept. 2, 2022
In Production: Sickness and Stardom in
You Are Not Alone
UT lecturer Cindy McCreery’s new film takes place in the shadow of Michael Jackson
Richard Whittaker, Sept. 1, 2022
Five aGLIFF Movies to Stream at Home
Award winners and hometown heroes of queer cinema jump online
Richard Whittaker, Sept. 1, 2022
The Good Boss
Spanish workplace comedy shows the perils of imbalance
Movie Review, Sept. 2, 2022
Gigi & Nate
Saccharine story of a man and his assistance monkey
Movie Review, Sept. 2, 2022
The Invitation
Tedious vampire flick should have stayed in the grave
Movie Review, Sept. 2, 2022
Sarah Polley's
Women Talking
Announced for Austin Film Festival
First wave includes the eagerly-awaited
Nanny
Richard Whittaker, Aug. 31, 2022
aGLIFF Review:
Erica's First Holy Shit
Austin's alternative fitness superstar hits the big screen
Richard Whittaker, Aug. 31, 2022
SXSW Announces First 2023 Speakers
Olympian and entrepreneur Allyson Felix, Cecile Richards, more
Richard Whittaker, Aug. 30, 2022
Owen Kline Turns the
Funny Pages
New movie looks at the grotesque and absurd sides of collection
Richard Whittaker, Aug. 26, 2022
Maneater
Trace Adkins versus sharks is a soggy mess
Movie Review, Aug. 26, 2022
In the Flesh: Film Historian Elizabeth Purchell Leads the Reappraisal of Porn
The film historian and archivist is leading the reappraisal of porn and erotica as a vital chapter in the history of queer liberation
James Scott, Aug. 25, 2022
Three Thousand Years of Longing
Swinton and Elba lack magic in this unfunny fantastical rom-com
Movie Review, Aug. 26, 2022
Liger
Telugu MMA drama floats like a bee, stings like a butterfly
Movie Review, Aug. 26, 2022
Breaking
Tragic true-life drama attacks how the system fails military veterans
Movie Review, Aug. 26, 2022
Spin Me Round
Lumpen anti-rom-com won't turn heads
Movie Review, Aug. 26, 2022
Funny Pages
Portrait of the comic artist as a young idiot
Movie Review, Aug. 26, 2022
Alienoid
Time-travelling SF wire fu thriller is as overpacked as it sounds
Movie Review, Aug. 26, 2022
The Innocents
Norwegian "evil kids" horror delivers a sickening catharsis
Movie Review, Aug. 26, 2022
Beast
Idris Elba versus a lion in this throwback creature feature
Movie Review, Aug. 26, 2022
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at Long Center for the Performing Arts
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