Academy Excludes Apollo 10½ From Oscar Consideration, Prompting Appeal
Animators push back at Academy committee bias
151-180 of 24,058 entries
Kimberley Jones, Oct. 13, 2022
Loving Highsmith
Documentary about the acclaimed American novelist explores her past loves
Movie Review, Oct. 14, 2022
Riotsville, USA
Standout doc about the Sixties explores still relevant lessons in police oppression
Movie Review, Oct. 14, 2022
Music-Themed Film Fest Sound Unseen Announces Round Three in Austin
With a Waterloo Records doc and Magna Carda-scored short
Kriss Conklin, Oct. 12, 2022
Hyperreal Film Club Brings a Gender-Bending Classic to the Grounds of the Elisabet Ney Museum
Local film social club teams up to screen Orlando
Annie Flores, Oct. 7, 2022
Dos Estaciones
Tequila shortage inspires naturalistic Mexican drama
Movie Review, Oct. 7, 2022
Lyle, Lyle, Crocodile
Where's the beating heart in this beloved children's book adaptation?
Movie Review, Oct. 7, 2022
Piggy
Spanish teen slasher subverts the tropes with a new kind of protagonist
Movie Review, Oct. 7, 2022
Park Chan-wook Lets Love Speak Softly in Decision to Leave
Telling a love story without the "I love you"
Richard Whittaker, Oct. 6, 2022
Terrifier 2
More gore as the indie horror smash gets an even grislier sequel
Movie Review, Oct. 7, 2022
Amsterdam
David O. Russell's madcap murder-mystery is a misfire
Movie Review, Oct. 7, 2022
Don't Look at the Demon
Malaysia-set horror film employs skill and style to scare
Movie Review, Oct. 7, 2022
Longtime SXSW Film & TV Festival Head, Indie Film Icon Janet Pierson Transitions to New Role
Pierson's deputy, Claudette Godfrey, assumes leadership
Kimberley Jones, Oct. 5, 2022
The Antares Paradox
Single-location sci-fi thriller stays in shallow end
Matthew Monagle, Oct. 4, 2022
Missing
Depressed dad seeks serial killer in low-impact Japanese thriller
Matthew Monagle, Oct. 3, 2022
Nightsiren
Tereza Nvotová’s bewitching horror makes her one to watch
Matthew Monagle, Oct. 3, 2022
Final Cut
French remake of beloved Japanese movie-making comedy adds a little
Richard Whittaker, Sept. 30, 2022
The Greatest Kaiju Return to Guzu With Strange Beasts VII
Wall-to-wall Godzilla in the new show, opening tonight
Richard Whittaker, Sept. 30, 2022
Triangle of Sadness Star Dolly De Leon Sails into Fantastic Fest
Award-season hopeful is putting Filipino cinema on the map
Richard Whittaker, Sept. 30, 2022
Something in the Dirt
Cerebral horror's greatest duo circle through cosmic conspiracies
Richard Whittaker, Sept. 29, 2022
Regal Arbor Closed
North Austin art house institution quietly shuttered
Richard Whittaker, Sept. 29, 2022
Darren Aronofsky to be Honored by Austin Film Festival
Fest features Bob Saget's final film, new Laura Poitras doc
Richard Whittaker, Sept. 29, 2022
Mike Mignola: Drawing Monsters
Into the shadowy mind of the man that created Hellboy
Richard Whittaker, Sept. 29, 2022
Hellraiser
The Cenobites are back in the third best entry in the franchise
Richard Whittaker, Sept. 29, 2022
Five Bizarro Films at Fantastic Fest @Home
The strangest and most fearless of the streaming selection at this year’s Fantastic Fest
Richard Whittaker, Sept. 29, 2022
Smile
Cunning studio horror about a curse that grins you to death
Movie Review, Sept. 30, 2022
The Greatest Beer Run Ever
It's 2022, and someone thought we need a pro-Vietnam War comedy
Movie Review, Sept. 30, 2022
The Good House
Sigourney Weaver drags this addiction drama out of comfortable numbness
Movie Review, Sept. 30, 2022
Bros
Uproarious gay rom-com isn't just a straight rom-com in a different hat
Movie Review, Sept. 30, 2022
God's Creatures
Stillness and violence in this startling tale of an Irish fishing community
