Shana Feste Says Run Sweetheart Run
The Austin filmmaker on her #MeToo thriller with a twist
121-150 of 24,058 entries
Richard Whittaker, Oct. 28, 2022
Indoor Queers Club: LGBT-Boo!
Queer horror picks from your trusty Chronicle crypt keepers
James Scott, Oct. 28, 2022
Please Baby Please
Andrea Riseborough remains unmissable in this wild, weird, and divisive Fifties fantasy
Movie Review, Oct. 28, 2022
England Made Me
Culture Editor Richard Whittaker presents a season of classic British movies that defined the nation’s cinema
Richard Whittaker, Oct. 27, 2022
Five Filmmakers to Learn From at Austin Film Festival 2022
The picks of the panels in this year’s conference
Richard Whittaker, Oct. 27, 2022
The Banshees of Inisherin
The In Bruges team reunites for a genius tale of friendship gone awry
Movie Review, Oct. 28, 2022
Silence and Stones in The Banshees of Inisherin
Writer/director Martin McDonagh and star Kerry Condon on creating the isolated world of their new film
Richard Whittaker, Oct. 27, 2022
Last Flight Home
The decision to embrace death becomes a touching affirmation of life
Movie Review, Oct. 28, 2022
Black Adam
The Rock joins the DC Universe as the shadowy version of Superman
Movie Review, Oct. 28, 2022
New Nonprofit Plans to Bring Back Austin’s Video Rental Culture
We (still) Luv Video
Matthew Monagle, Oct. 27, 2022
Call Jane
Timely but lightweight abortion drama isn't up to the topic's pressing needs
Movie Review, Oct. 28, 2022
SXSW Co-Founder Roland Swenson Changes Roles
CEO becomes executive chairman in leadership shuffle
Richard Whittaker, Oct. 24, 2022
Austin Film Festival Selection The Other Fellow Looks at Life Being Named James Bond
The names are Bond. James Bond.
Rod Machen, Oct. 20, 2022
Slash/Back
Smart Canadian horror sets Indigenous teens against alien invaders
Movie Review, Oct. 21, 2022
Eternal Spring
China's religious oppression explored through the art of Daxiong
Movie Review, Oct. 21, 2022
The Austin Film Festival Brings the Terror of Motherhood in Nanny
New Voice Award winner Nikyatu Jusu looks at horror with a Black woman's gaze
Jenny Nulf, Oct. 20, 2022
TÁR
Cate Blanchett proves herself a maestro in this furious and brilliant musical drama
Movie Review, Oct. 21, 2022
Five Marquee Movies at Austin Film Festival 2022
Headliners and Oscar contenders at this year’s AFF
Richard Whittaker, Oct. 20, 2022
Decision to Leave
Park Chan-wook strips away his signature violence for a tender, tragic love story
Movie Review, Oct. 21, 2022
Scary Movie Comes Back From the Grave
Austin's 1991 indie horror rises again
Matthew Monagle, Oct. 20, 2022
My Policeman
Harry Styles' celebrity overshadows this bloodless period drama
Movie Review, Oct. 21, 2022
Ticket to Paradise
Clooney and Roberts join the year of the rom-com with a by-the-numbers effort
Movie Review, Oct. 21, 2022
Halloween Ends
Jamie Lee Curtis stars in her umpteenth face-off with a retirement-age Michael Myers
Movie Review, Oct. 21, 2022
Other Worlds Film Fest Returns For Ninth and Final Festival
Sci-fi festival releases first wave of films
Leila Saidane, Oct. 13, 2022
Stars at Noon
Minor Claire Denis juggles an ill-fated love affair and a murky espionage plot
Movie Review, Oct. 14, 2022
Old Man
Uninspired cabin-in-the-words horror elevated by engaging acting
Movie Review, Oct. 14, 2022
Traveling Light
Exploratory film revisits the not-so-long-forgotten events that defined the early pandemic
Movie Review, Oct. 14, 2022
Triangle of Sadness
Ruben Östlund's newest Cannes' award-winning social satire falls flat
Movie Review, Oct. 14, 2022
Dolly de Leon Sails into the Triangle of Sadness
The Filipina actress discusses her breakout role in Ruben Östlund’s Cannes award winner
Richard Whittaker, Oct. 13, 2022
Accident Man: Hitman’s Holiday
Fights galore, over-the-top kills, and a major Scott Adkins showcase
