SXSW Adds Cheech Marin, Titane Director Julia Ducournau For 2023
Plus the Metaverse and student athlete NIL deals part of the program
91-120 of 24,058 entries
Richard Whittaker, Nov. 15, 2022
Other Worlds Says Sorry About the Demon
Sci fi film fest announces final lineup for final outing
Richard Whittaker, Nov. 15, 2022
Queer Indie Video Game Showcase Is a Gaymer's Delight
Local video game showcase Fantastic Arcade supports indie queer games
James Scott, Nov. 11, 2022
ATX Television Festival Says Cheers to James Burrows
TV legend to be honored at next year's fest
Richard Whittaker, Nov. 11, 2022
Oscars Accepts That Animated Films Are Animated
Austin-made Apollo 10 1/2 now eligible for Academy Award
Richard Whittaker, Nov. 10, 2022
Holy Spider
True crime drama is an indictment of theocracy and misogyny
Movie Review, Nov. 11, 2022
Black Panther: Wakanda Forever
Marvel's Afrofuturist paradise goes to war with the world
Movie Review, Nov. 11, 2022
How Becoming a Book Saved The Dead Friends Society
Austin filmmakers Paul Gandersman and Peter Hall turn the page on a new career as horror novelists
Richard Whittaker, Nov. 10, 2022
Sam & Kate
Two generations of Hoffmans and Spaceks in a surprisingly tender and charming rom-com
Movie Review, Nov. 11, 2022
Inside the Octagon With New UFC Documentary Thug Rose
How Rose Namajunas puts the art in mixed martial arts
Rod Machen, Nov. 5, 2022
Austin Film Festival Review: Glass Onion: A Knives Out Mystery
Rain Johnson brings back Benoit Blanc for a deliciously tart sequel
Trace Sauveur, Nov. 4, 2022
Austin Film Festival Review: The 'Vous
Behind the counter at the legendary Memphis BBQ joint
Rod Machen, Nov. 4, 2022
Austin Film Festival Review: The Whale
Darren Aronofsky contemplates fatness and faith
Jenny Nulf, Nov. 4, 2022
Five Celebrations of the Cinematic Diaspora at the Austin Jewish Film Festival
From dissections of comedy to the complexities of history
Richard Whittaker, Nov. 4, 2022
Documentary Explores a Queer Nightlife Well-Lived
Local LGBTQ film on queer spaces needs your help finishing production
James Scott, Nov. 4, 2022
Austin Film Festival Review: What Remains
Anne Heche's final film shows the complexity of forgiveness
Rod Machen, Nov. 3, 2022
Aftersun
Poignant final holiday sums up a beautifully captured father-daughter relationship
Movie Review, Nov. 4, 2022
Armageddon Time
James Gray's note-perfect depiction of moral failings in Eighties NYC
Movie Review, Nov. 4, 2022
Something in the Dirt
Benson and Moorhead's pandemic whimsy takes on the perils of conspiracy theory
Movie Review, Nov. 4, 2022
Run Sweetheart Run
Supernatural #MeToo thriller never hits a reliable pace
Movie Review, Nov. 4, 2022
The Social and Personal Turbulence of Armageddon Time
James Gray explores his own flawed youth in this autobiographical coming-of-age film
Trace Sauveur, Nov. 3, 2022
The Return of Tanya Tucker – Featuring Brandi Carlile
Intimate portrait of Country's unfairly scorned queen
Movie Review, Nov. 4, 2022
Soft & Quiet
Insidious racism becomes a rabid nightmare
Movie Review, Nov. 4, 2022
Five Musical Movie Moments at Sound Unseen
The sonic cinema celebration returns to Austin
Annie Flores, Nov. 3, 2022
Good Night Oppy
Mars rover documentary concentrates too much on the inner life of machines
Movie Review, Nov. 4, 2022
Causeway
Jennifer Lawrence returns in a moving portrait of a damaged woman
Movie Review, Nov. 4, 2022
Dale Carter Sings The Song of the Cicada
AFF documentary explores the life of a Texas mortician
Richard Whittaker, Nov. 1, 2022
Austin Film Festival Review: Sam & Kate
Hoffman and Spacek in a bittersweet tale of love and family
Richard Whittaker, Oct. 29, 2022
Short and Sweet: "Don't You Go Nowhere"
Bryan Poyser on jazz and filming in an Austin Club
Richard Whittaker, Oct. 29, 2022
Austin Film Festival Review: Nanny
Eerie migrant drama is an intriguing addition to Black horror
